Description: In Africa, tension between freedom of expression and censorship in many contexts remains as contentious, if not more so, than during the period of colonial rule which permeated the twentieth century. This volume brings together the latest research on censorship in Africa, focusing on the attempts to censor musicians and the strategies of resistance devised by musicians in their struggles to be heard. It also includes a special section on case studies that highlight issues of nationality.
Review Quotes: 'Each contribution is a well-written, self-contained unit. Drewett [...] and Cloonan [...] are to be commended for selecting knowledgeable contributors for this book, which will interest student of African popular music in general and censorship in particular... Recommended.' Choice '... this book is a groundbreaking and highly engaging text that will hopefully encourage additional and broader discussion of music censorship in Africa and around the world... While compiling a valuable resource for scholars and students, the editors also use the book to present a blatant call to arms to musicians and activists to resist oppression.' Popular Music 'The strength of the book [...] is that it convincingly and with many fine case studies paves the way for more research on the important issue of music censorship. As such Popular Music Censorship in Africa will be of interest to both scholars and students.' Ethnomusicology Forum