Book Cover

Performance and Modernity

Contributor(s): Walker, Julia A (Author)

ISBN: 9781108833066

Publisher: Cambridge University Press

Hardcover
$133.00
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Pub Date: January 6, 2022

Dewey: 792.02801

LCCN: 2021019835

Lexile Code: 0000

Features: Bibliography, Index, Price on Product

Target Age Group: NA to NA

Physical Info: 0.70" H x 9.19" L x 6.20" W ( 1.30 lbs) 312 pages

Descriptions, Reviews, etc.

Description: How do ideas take shape? How do concepts emerge into form? This book argues that they take shape quite literally in the human body, often appearing on stage in new styles of performance. Focusing on the historical period of modernity, Performance and Modernity: Enacting Change on the Globalizing Stage demonstrates how the unforeseen impact of economic, industrial, political, social, and psychological change was registered in bodily metaphors that took shape on stage. In new styles of performance-acting, dance, music, pageantry, avant-garde provocations, film, video and networked media-this book finds fresh evidence for how modernity has been understood and lived, both by stage actors, who, in modelling new habits, gave emerging experiences an epistemological shape, and by their audiences, who, in borrowing the strategies performers enacted, learned to adapt to a modernizing world.

Brief description: Julia A. Walker is Associate Professor of English and Drama, with joint appointments in the English and Performing Arts Departments at Washington University in St. Louis. She is the author of Expressionism and Modernism in the American Theatre: Bodies, Voice, Words (Cambridge University Press, 2005), along with numerous published essays.

Review Quotes: 'Julia Walker's Performance and Modernity has all the electricity of a lightning bolt. Brilliantly reimagining performance in light of the technological, representational, and ontological crises of modernity, this book provides a breathtaking history of performance that is both truly global and shockingly new. Meticulously reconstructing accounts of changes in styles of performance as an embodiment (in every sense) of the forces of modernity itself, Walker sees different styles of performance - from the 'point' technique to psychological realism - not merely encoding desires for and fears of modernity, but enacting and fomenting them. Reading across many national traditions and genres of performance, this book recasts our sense of the modern in a way few other books have.' MSA 2021 Book Prize Committee (2022)

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