Description: How did eighteenth-century travellers experience, describe and represent the urban environments they encountered as they made the Grand Tour? This fascinating book focuses on the changing responses of the British to the cities of Florence, Rome, Naples and Venice, during a period of unprecedented urbanisation at home. Drawing on a wide range of unpublished material, including travel accounts written by women, Rosemary Sweet explores how travel literature helped to create and perpetuate the image of a city; what the different meanings and imaginative associations attached to these cities were; and how the contrasting descriptions of each of these cities reflected the travellers' own attitudes to urbanism. More broadly, the book explores the construction and performance of personal, gender and national identities, and the shift in cultural values away from neo-classicism towards medievalism and the gothic, which is central to our understanding of eighteenth-century culture and the transition to modernity.
Brief description: Rosemary Sweet is Professor of Urban History at the Centre for Urban History, University of Leicester. Her previous publications include The English Town, Government, Society and Culture (1999) and Antiquaries: The Discovery of the Past in Eighteenth-Century Britain (2004).
Review Quotes: "No-one has mined the wealth of English travel writing in Italy from the late 17th century to the early 19th century more assiduously or imaginatively than Rosemary Sweet. Her elegant, wide-ranging and compelling book develops a forceful critique of recent scholarship on the cultural and social histories of the Grand Tour, while at the same time skilfully demonstrating how the reactions of English men and women to the great cities of Italy reflected much wider changes in perceptions of national, social, gender and cultural identities, of the self and the modern. A must for specialists and sheer delight for everyone else." -John A Davis, University of Connecticut