Description: The Art of Life and Death explores how the world appears to people who have an acute perspective on it: those who are close to death. Based on extensive ethnographic research, Andrew Irving brings to life the lived experiences, imaginative lifeworlds, and existential concerns of persons confronting their own mortality and non-being.
Encompassing twenty years of working alongside persons living with HIV/AIDS in New York, Irving documents the radical but often unspoken and unvoiced transformations in perception, knowledge, and understanding that people experience in the face of death. By bringing an "experience-near" ethnographic focus to the streams of inner dialogue, imagination, and aesthetic expression that are central to the experience of illness and everyday life, this monograph offers a theoretical, ethnographic, and methodological contribution to the anthropology of time, finitude, and the human condition. With relevance well-beyond the disciplinary boundaries of anthropology, this book ultimately highlights the challenge of capturing the inner experience of human suffering and hope that affect us all-of the trauma of the threat of death and the surprise of continued life.Brief description:
Andrew Irving is director of the Granada Centre for Visual Anthropology at the University of Manchester.
Review Quotes: "This beautifully written and constructed book weaves together sophisticated social theory, philosophy, art work, and vivid biographical narratives to offer insights into how HIV/AIDS patients have learned to "live a meaningful existence in the pre- and post-antiretroviral eras while negotiating a terminal illness." Basing his book on 20 years of work with adults living with HIV/AIDS in New York, visual anthropologist Irving has carried out a compelling anthropological study of the "complex inner world" of those who struggle, cope, fight, and ultimately come to terms with their own impending deaths. The author draws on philosophical writings and social theories to contextualize his results, but is at his best when allowing his subjects to speak for themselves. The evocative words of subjects like artist Albert Velasco provide fascinating insights into the ways that dying persons with HIV/AIDS grapple with the mundane, like keeping medical appointments, as well as the profound reckoning with their own mortality and purpose. An engaging read that will enrich upper-level and graduate collections on death and dying, ethnographic methods, and HIV/AIDS. Highly recommended."-- "Choice"