Descriptions, Reviews, etc.
Description:
"Is a non-remote horizon always a concealment? If a portion of sky has been carved and set loose to rest upon land, is it the result of an illegal language spoken in the town?"
Ben Marcus, from A Horizon Grammar
A hybrid of artist's book and catalog, this unique publication, designed in collaboration with the artist, is divided into three separate books. One features photographs of Sky-wreck, Mirra's conceptually multi-layered, 2001 installation at the Renaissance Society, accompanied by an essay from Hamza Walker which explicates Sky-wreck'stangled mathematical, visual and poetic aspects, and how these interwoven forms of signification within the piece ultimately "question the ability for that which is unfathomable to assume representation." Another section contains reproductions of Mirra's earlier work, meditated on from a more personal standpoint by poet and friend of Mirra, Jen Bervin, with footnotes from Mirra herself. The third section is an intensely beautiful collaboration between Mirra and experimental fiction writer Ben Marcus, juxtaposing Mirra's exquisite working drawings for Sky-wreck with Marcus's surreal poetic response to them entitled A Horizon Grammar.
Brief description:
Hamza Walker became the second director of The Brick in Los Angeles after twenty-one years as curator and director of education at the Renaissance Society in Chicago. Walker was the recipient of the 1999 Norton Curatorial Grant, the 2005 Walter Hopps Award for curatorial achievement, and a 2006 Emily Hall Tremaine Award for the exhibition Black Is, Black Ain't. In 2010, Walker was awarded the Ordway Prize as a mid-career curator whose writings and exhibitions have had significant impact on the field of contemporary art. In addition to serving on panels and juries throughout Europe and the United States, he has written for numerous artists' monographs and publications such as Artforum and Parkett.
