Description:
IN THIS ISSUE
Previously accessible only in archives, a compiled version of Williams's tense short story "Why Did Desdemona Love the Moor?" appears here in print for the first time, assembled from fragments and possibly too controversial to publish during his lifetime. Inside, essays treat readers to rare images of Ingmar Bergman's 1950s staging of Cat on a Hot Tin Roof, moving fan letters written to the playwright during his lifetime, and a reconstruction of the long-lost musical soundscape Paul Bowles composed for Sweet Bird of Youth.
