Description:
The richness of art is manifested in contrast: contrast with other works of art, other features of human experience, other times and places, and other forms of judgment and understanding. The possibilities of contrast are inexhaustible. Every being shares this inexhaustibility of openness to novel possibilities, although inexhaustibility is most fully realized in art.
The general theory of art and aesthetic value developed in this book is based on the notions of inexhaustibility and contrast and has important forebears in Kant, Coleridge, and Whitehead. The theory allows art to be located relative to otheR spheres of judgment-science, action, and philosophy. The theory allows a new perspective on interpretation and criticism. Ross presents and defines a new synthetic form of understanding works of art that offers an alternative to the skepticism that haunts so many theories of interpretation.
Brief description: Stephen David Ross is Distinguished Research Professor of Philosophy, Interpretation, and Culture and Comparative Literature at Binghamton University, State University of New York. He is the author of several books, including The Gift of Beauty: The Good as Art; The Gift of Truth: Gathering the Good; The Gift of Touch: Embodying the Good; and the editor of Art and Its Significance: An Anthology of Aesthetic Theory, Third Edition, all published by SUNY Press.