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Critical Essays on British South Asian Theatre

Contributor(s): Dadswell, Sarah (Author), Ley, Graham (Author), Ahmad, Rukhsana (Contribution by), Bhuchar, Suman (Contribution by), Buonanno, Giovanna (Contribution by), Chambers, Colin (Contribution by), Cochrane, Claire (Contribution by), Daboo, Jerri (Contribution by), Dadswell, Sarah (Contribution by), Hingorani, Dominic (Contribution by), Kapur, Anuradha (Contribution by), Khan, Naseem (Contribution by), Patel, Chandrika (Contribution by), Sadhwani, Shanu (Contribution by), Sams, Victoria (Contribution by), Schlote, Christiane (Contribution by), Shah, Rajni (Contribution by), Terracciano, Alda (Contribution by)

ISBN: 9780859898355

Publisher: University of Exeter Press

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Pub Date: April 30, 2012

Dewey: 792.089

Lexile Code: 0000

Features: Bibliography

Target Age Group: NA to NA

Physical Info: 0.00" H x 0.00" L x 0.00" W ( 0.00 lbs) 288 pages

Series: Exeter Performance Studies

Descriptions, Reviews, etc.

Description: This volume is an edited collection of critical essays on British Asian theatre. It includes contributions from a number of researchers who have been active in the field for a substantial period of time.

Brief description: Graham Ley is professor of Drama and Theory at the University of Exeter and leader for the AHRC project. His work has ranged from antiquity to the present day. He has been a joint editor of the Performance Studies series from its inception; he is also a joint editor of the series Performance Practises for Palgrave. Dr Sarah Dadswell is the full-time Research Fellow for the AHRC project; she is a cultural historian, with expertise in the twentieth century, notably in Russian and Soviet avant-garde theatre. Dadswell is also joint editor of "Victory over the Sun" for Artist BookWorks, with Rosamund Bartlett.

Review Quotes:


'These two books do all of us interested in the evolution of British theatre a valuable service'
'These two books are complementary, accessible, rigorous and an exciting read.'
'the editors and contributors have succeeded in bringing the uninterrupted history of South Asian theatre in this country, in all its multifaceted glory, into the light.' (Theatre Notebook, Volume 67(2), 2013, Hassan Mahamdallie)


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