Book Cover

London's Grand Guignol and the Theatre of Horror

Contributor(s): Hand, Richard J (Author), Wilson, Michael (Author)

ISBN: 9780859897891

Publisher: University of Exeter Press

Hardcover
$112.00
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Pub Date: December 14, 2007

Dewey: 306.48480942

Lexile Code: 0000

Features: Bibliography

Target Age Group: NA to NA

Physical Info: 0.00" H x 0.00" L x 0.00" W ( 0.00 lbs) 304 pages

BISAC Categories:

Performing Arts | Theater | General | Drama

Series: Exeter Performance Studies

Descriptions, Reviews, etc.

Description: A companion to UEP's Grand-Guignol: The French Theatre of Horror (now in its third reprint). London's Grand Guignol was established in the early 1920s at the Little Theatre in the West End. It was a high-profile venture that enjoyed popular success as much as critical controversy.

Brief description: Richard J. Hand is Professor of Media Practice and Head of Media, Film and TV Studies at University of East Anglia. Michael Wilson is Professor of Drama at Loughborough University. Together they have delivered workshops on Grand Guignol, and presented Grand Guignol performances at universities, international conferences and at the Edinburgh Fringe Festival.

Review Quotes:


'...Richard J. Hand and Micheal Wilson, who have previously written on the French Grand Guignol for this excellent series from the University of Exeter Press, now turn to the English variant...'
'...London's Grand Guignol is a fine introduction to a neglected corner of the twentieth-century arts world.' (TLS, 18. 04. 08) "Altogether this is a well-researched book on a fascinating piece of theatre history."'
(Year's Work in English Studies, vol. 89, no. 1, 2010)



'...London's Grand Guignol allows Hand and Wilson to make a persuasive case for Grand Guignol's place not only in modern theatre history, but also in the film history of thrillers and horror films. This book will be useful as a hands-on theatre history and practice text for programs where one might imagine offering students an opportunity to apply their creativity to the same challenges Jose Levy faced.'
(Theatre Survey, Vol 50/2, November 2009)



'Altogether this is a well-researched book on a fascinating piece of theatre history.'
(Year's Work in English Studies, vol. 89, no. 1, 2010)


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