Description:
For centuries, critics, poets, poet-scholars, and philosophers have either openly proclaimed or tacitly assumed the long poem as the highest expression of literary ambition and excellence. Rethinking the North American Long Poem focuses on the North American variant of this notorious form--notorious because of its often forbidding and difficult character, particularly with respect to the dialectics of content and form, aesthetics and politics, matter and genre. In nine essays and a contextual introduction, the editors and contributors scrutinize seminal long poems by North American writers, including Walt Whitman's "Song of Myself," Ezra Pound's The Cantos, Muriel Rukeyser's The Book of the Dead, and Charles Olson's The Maximus Poems. They also explore recent efforts that have redefined or reopened the case of the long poem, including Rachel Blau DuPlessis's Drafts, M. NourbeSe Philip's Zong!, and Claudia Rankine's Citizen. Taking the categories of form, matter, and experiment as frames of conceptual reference, the book examines the ways in which material and immaterial aspects of literary practice and the philosophically and politically inscribed duality of experience and experiment are negotiated in and by North American long poems from the nineteenth century to the present.
Brief description:
Julius Greve is a research associate at the Institute for English and American Studies at the University of Oldenburg in Germany. He is the author of Shreds of Matter: Cormac McCarthy and the Concept of Nature.
Review Quotes: "Rethinking the North American Long Poem is an ambitious, multipronged approach to one of the most difficult and slippery--and hence interesting and rewarding--of literary forms."--Michael Leong, author of Contested Records: The Turn to Documents in Contemporary North American Poetry