Description:
Faith and Power in Japanese Buddhist Art explores the transformation of Buddhism from the premodern to the contemporary era in Japan and the central role its visual culture has played in this transformation. Although Buddhism is generally regarded as peripheral to modern Japanese society, this book demonstrates otherwise. Its chapters elucidate the thread of change over time in the practice of Buddhism as revealed in temple worship halls and other sites of devotion and in imagery representing the religion's most popular deities and religious practices. It also introduces the work of modern and contemporary artists who are not generally associated with institutional Buddhism and its canonical visual requirements but whose faith inspires their art.
The author makes a persuasive argument that the neglect of these materials by scholars results from erroneous presumptions about the aesthetic superiority of early Japanese Buddhist artifacts and an asserted decline in the institutional power of the religion after the sixteenth century. She demonstrates that recent works constitute a significant contribution to the history of Japanese art and architecture, providing evidence of Buddhism's compelling presence at all levels of Japanese society and its evolution in response to the needs of new generations of supporters.
Brief description: Patricia J. Graham is assistant to the director of the Center for East Asian Studies, University of Kansas, and a consultant on Asian art.
Review Quotes: "This book is densely written and copiously illustrated, rich with evidence that Buddhist art has thrived over the last four hundred years and continues to do so. One of the book's many contributions is how it traces the widening patronage of Buddhist art, which helped to create and support a new class of Buddhist artists and appreciation for their art beyond the walls of the Buddhist temples."