Description:
Merleau-Ponty has long been known as one of the most important philosophers of aesthetics, yet most discussions of his aesthetics focus on visual art. This book corrects that balance by turning to Merleau-Ponty's extensive engagement with literature.
From Proust, Merleau-Ponty developed his conception of "sensible ideas," from Claudel, his conjoining of birth and knowledge as "co-naissance," from Valéry came "implex" or the "animal of words" and the "chiasma of two destinies." Literature also provokes the questions of expression, metaphor, and truth and the meaning of a Merleau-Pontian poetics. The poetic of Merleau-Ponty is, the book argues, a poetic of the flesh, a poetic of mystery, and a poetic of the visible in its relation to the invisible. Ultimately, theoretical figures or "figuratives" that appear at the threshold between philosophy and literature enable the possibility of a new ontology. What is at stake is the very meaning of philosophy itself and its mode of expression.Brief description: Galen A. Johnson is Professor of Philosophy at the University of Rhode Island. He has been General Secretary (Executive Director) of the International Merleau-Ponty Circle (2005-2015) and Jane C. Ebbs Endowed Professor of Philosophy (2016-2018). He is the author of The Retrieval of the Beautiful: Thinking through Merleau-Ponty's Aesthetics (Northwestern University Press, 2010) and editor of The Merleau-Ponty Aesthetics Reader: Philosophy and Painting (Northwestern University Press, 1993).
Review Quotes: "This book promises to become an indispensable resource not only for Merleau-Ponty scholars, but also for scholars in contemporary European philosophy as a whole, and in comparative literature, French, and literary theory. Creative, exciting, and visionary."---Veronique Fóti, Pennsylvania State University