Description: This interdisciplinary study explores George de La Tour's (1593-1652) enigmatic representations of light, vision and the visible in order to question the nature of painting and its religious, artistic and conceptual aspects. Challenging the familiarity of vision, it proposes a spiritual understanding of painting and its engagements with the world.
Brief description: Dalia Judovitz is National Endowment for the Humanities Professor of French at Emory University. Her books include Subjectivity and Representation in Descartes, The Culture of the Body, and more recently, works on Duchamp and modernist aesthetics.
Review Quotes: This study will be of considerable interest to anyone engaged not only with La Tour but with early modern visual culture as a whole, especially as it relates to the spiritual.-- "Renaissance Quarterly"