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Theatre History Studies 2022, Vol 41

Contributor(s): Jackson-Schebetta, Lisa (Contribution by), Milner, Lisa (Contribution by), Chapman, Matthieu (Contribution by), Mohler, Courtney Elkin (Contribution by), Boffone, Trevor (Contribution by), Vermillion, Alex (Contribution by), Douglass, Ryan J (Contribution by), Higgins, Jeanmarie (Contribution by), Schweikardt, Michael (Contribution by), Al-Saber, Samer (Contribution by), Ahlgren, Angela K (Contribution by), Fortuna, Victoria (Contribution by), Wood, Bethany (Contribution by), Das, Joanna Dee (Contribution by), Buchanan, Jay (Contribution by), Nees, Heidi L (Contribution by), Taddeo, Giulia (Contribution by), Borelli, Melissa Blanco (Contribution by), Aliano, Kelly I (Contribution by), Alley-Young, Gordon (Contribution by), Harkulich, Christiana Molldrem (Contribution by), Hicks-Bartlett, Alani (Contribution by), Kaplan, Erin Rachel (Contribution by), Kelley, Heather (Contribution by), Maley, Patrick (Contribution by), Maresh, Karin (Contribution by), Nathans, Heather S (Contribution by), Samur, Sebastian (Contribution by), Simone, Teresa (Contribution by), Sloan, Dennis (Contribution by), Thomas, Kyle A (Contribution by)

ISBN: 9780817371166

Publisher: University Alabama Press

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Pub Date: January 31, 2023

Lexile Code: 0000

Target Age Group: NA to NA

Physical Info: 0.55" H x 8.98" L x 5.91" W ( 0.74 lbs) 224 pages

Series: Theatre History Studies

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Description:

Theatre History Studies 2022, Vol. 41 continues the journal's long-standing commitment to advancing innovative, peer-reviewed scholarship in theatre and performance history. Edited by Lisa Jackson-Schebetta, this volume brings together essays by leading scholars that explore diverse theatrical practices, histories, and methodologies across periods, geographies, and performance traditions. As the official journal of the Mid-America Theatre Conference, Theatre History Studies serves as a vital forum for new research that combines archival investigation with critical and theoretical inquiry. Volume 41 reflects the field's expanding concerns with embodiment, identity, historiography, and performance as lived practice, offering essential reading for scholars, educators, and students of theatre and performance studies.

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