Description:
Theatre History Studies, Volume 29 showcases a vibrant collection of essays that interrogate the boundaries of performance, historiography, and cultural memory. Edited by Rhona Justice-Malloy, this volume features contributions from leading scholars who explore topics ranging from Shakespearean extremity to American modernity, prohibition-era drama, and the Federal Theatre Project. A vital resource for theatre historians and practitioners, this edition continues the journal's tradition of advancing rigorous and inclusive scholarship.
Review Quotes:
"This established annual is a major contribution to the scholarly analysis and historical documentation of international drama. Refereed, immaculately printed and illustrated . . . the subject coverage ranges from the London season of 1883 to the influence of David Belasco on Eugene O'Neill."
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