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Thinking Poetics: Essays on George Oppen

Contributor(s): Shoemaker, Steve (Editor), Taggart, John (Contribution by), Shoemaker, Steve (Contribution by), Silliman, Ron (Contribution by), Bernstein, Charles (Contribution by), Duplessis, Rachel Blau (Contribution by), Prevallet, Kristin (Contribution by), Hejinian, Lyn (Contribution by), Nicholls, Peter (Contribution by), Gander, Forrest (Contribution by), Thackrey, Susan (Contribution by), Enslin, Theodore (Contribution by), Heller, Michael (Contribution by)

ISBN: 9780817355463

Publisher: University Alabama Press

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Pub Date: September 1, 2009

Dewey: 811.54

LCCN: 2009012616

Lexile Code: 0000

Features: Bibliography, Index, Price on Product, Table of Contents

Target Age Group: NA to NA

Physical Info: 1.00" H x 8.90" L x 6.00" W ( 1.10 lbs) 320 pages

BISAC Categories:

Poetry | American | Literary Criticism

Series: Modern and Contemporary Poetics

Descriptions, Reviews, etc.

Description: Thinking Poetics is a testament to Oppen's place in 20th and 21st-century poetic culture and an essential volume for anyone interested in Oppen's life or poetry

Review Quotes:

"Oppen (1908-84) is a significant figure in 20th-century poetry, but the significance of his work came to light only after his death and the posthumous publication of his letters and poems (The Selected Letters of George Oppen, ed. by Rachel Blau DuPlessis, CH, Feb'91, 28-3178; New Collected Poems, ed. by Michael Davidson, 2002; Selected Poems, ed. by Robert Creeley, 2003; Selected Prose, Daybooks, and Papers, ed. by Stephen Cope, CH, Jun'08, 45-5431) and of Peter Nicholls's magisterial George Oppen and the Fate of Modernism (CH, Sep'08, 46-0144). The essays Shoemaker (Connecticut College) gathers are by turns probing, polemical, and performative--attributes that characterize Oppen's life and work. The contributors include poets who were close to Oppen (Theodore Enslin, John Taggart, Michael Haller, Henry Weinfield, Rachel Blau DuPlessis), poets/critics in the Language poetry circle or generation (Charles Bernstein, Ron Silliman, Lyn Hejinian, Michael Davidson, Forrest Gander), academic critics (John Lowney, Nicholls), and poets/critics of a later generation (Kristin Prevallet, Shoemaker). Many of the pieces center on Oppen's silence between Discrete Series (1934) and the late 1950s, figuring this silence as a metaphor for gaps between modernism/postmodernism, thinking/knowledge, and politics/aesthetics. This collection reengages the reader with Oppen's life and work and encourages thinking about poetics. Summing Up: Recommended. Upper-division undergraduates through faculty."
--CHOICE

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