Book Cover

Tin Man

Contributor(s): Lucas, Charlie (Author), Thompson, Robert Farris (Foreword by), Cooper, Chip (Photographer), Thomps, Robert Farris (Foreword by), Clarke, Georgine (Introduction by), Windham, Ben (Author)

ISBN: 9780817316815

Publisher: University Alabama Press

Hardcover
$49.95
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Pub Date: August 1, 2009

Dewey: B

LCCN: 2009001361

Lexile Code: 0000

Features: Dust Cover, Illustrated, Table of Contents

Target Age Group: NA to NA

Physical Info: 0.90" H x 11.14" L x 10.22" W ( 3.28 lbs) 192 pages

Descriptions, Reviews, etc.

Description:

Tin Man by Charlie Lucas unfolds the remarkable journey of a self-taught Alabama folk artist who transformed discarded metal into expressive, human-sized sculptures with deep cultural resonance. Through over 200 vivid photographs and the artist's own storytelling, the book chronicles his evolution--from childhood hardship and a life-changing accident to creative rebirth--revealing how faith, heritage, and resilience fuel his visionary metalworks. Rich in visual and narrative depth, Tin Man celebrates the transformative power of found materials and the enduring spirit of a rural Southern storyteller turned globally recognized artist.

Review Quotes:

"[Tin Man is] a highly readable and gloriously beautiful book that provides the next best experience to seeing the works at Lucas's home in Pink Lily. Tin Man will be treasured by fans of folk art, but anyone with an interest in Alabama culture and the social and economic conditions that have produced numerous nationally known self-taught artists will find it rewarding." --The Alabama Review

"Charlie Lucas's sculptures are like kudzu: they remold the silhouette of an object, casting it in a different light. His subjects are the African mask, the slave, chains from the past, and the industrial future. His totem-like figures trace Alabama's Native American culture though the blood-baths and bloodstreams, wrought and welded in iron and steel. His junkyard complex comprising acres of rusting machine bits, sculptures, and the occasional grazing cow, is as terrifying as it is beautiful, and it reminds us what happens to man and his inventions when nature has 'had enough.'" --NALL

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