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Swedish Folk Music in the Twenty-First Century: On the Nature of Tradition in a Folkless Nation

Contributor(s): Kaminsky, David (Author)

ISBN: 9780739167229

Publisher: Lexington Books

Hardcover
$130.00
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Pub Date: December 15, 2011

Dewey: 781.62397009

LCCN: 2011042207

Lexile Code: 0000

Features: Bibliography, Dust Cover, Glossary, Index

Target Age Group: 22 to UP

Physical Info: 0.90" H x 9.10" L x 6.00" W ( 1.05 lbs) 200 pages

Descriptions, Reviews, etc.

Description: Swedish Folk Music in the Twenty-First Century: On the Nature of Tradition in a Folkless Nation, by David Kaminsky, examines the struggle of present-day Swedish folk musicians and dancers to maintain the cultural currency of their genre while simultaneously challenging the his...

Review Quotes:

"This slender volume is a probing, elegantly written assessment of a more tightly circumscribed topic than the author advertises with the book's title. . . .Kaminsky, a fine flutist and respected performer of Swedish folk melodies, is well equipped to discuss music as sound and practice." --Journal of American Folklore

"Kaminsky's book is a valuable work, not least because it both clarifies and problematises many current issues . . . He has managed to both capture the many nuances and to present the study in a manageable structure, where some basic questions continually generate new approaches and expressions. . . .Swedish Folk Music in the Twenty-first Century could serve as a model for ethnomusicological studies in other fields and genres. Kaminsky's analysis of the concept of folk music and of practical music-making, combined with an historical overview, bring new and important insights into the understanding of Swedish folk music." --Ethnomusicology Forum

"This is an excellent study by an outsider-insider of what folk music means today and how it is used in contemporary Sweden. It gives a sound discussion of the four elements - Tradition, Nation, Folk, Nature - that in a complicated way interrelate, and traditionally have answered, now as before, to practitioners' and listeners' different motives and needs. Kaminsky leaves few stones unturned; almost every possible angle on this subject is dealt with in lucid overviews, explaining longer trends, as well as detailed discussions. I consider myself to be an informed Swedish musician and musicologist, but I really learned a lot. This ethnomusicological book is an impressive and fresh undertaking, wide-ranging and written in plain language." --Olle Edström, University of Gothenburg

"Being both an outsider and an insider, Kaminsky presents a multifaceted account of the contemporary Swedish folk music scene and its historical background." --Krister Malm

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