Description: Cultures invest great efforts into creating a long-term memory on the basis of oral transmission, media technology, and institutional frameworks. This book provides an introduction to the concept of cultural memory, focusing on the "arts" of its construction, particularly various media such as writing, images, bodily practices, places, and monuments. Examining the period from the European Renaissance to the present, Aleida Assmann reveals the close association between cultural memory and the arts, arguing that the artists who have supplemented, criticized, transformed, and opposed it are its most lucid theorists and acute observers. Her analysis also addresses the interaction of cultural memory with individual memory and the ways in which cultural memory supports or subverts social and political identity constructions. Ultimately, this book offers a comprehensive overview of the history, forms, and functions of cultural memory, which has become a central analytical tool for scholars across disciplines.
Brief description: Aleida Assmann is a Professor of English Literature and Literary Theory in the Department of Literature, Art and Media at the University of Konstanz in Germany. She has also been a guest lecturer at universities including Rice, Princeton, Yale, and the University of Chicago. She is the author of several German-language books and has received international recognition for her scholarship, including the Max-Planck-Research Prize for History and Memory in 2009 and an Honorary Doctorate from the Theological Faculty at the University of Oslo in 2008.
Review Quotes: "Aleida Assmann brings startling originality, brilliant explanation, and conceptual rigor to the difficult and sprawling terrain of memory. This is a classic, pathbreaking work to which readers will remain long indebted." - Peter Fritzsche, University of Illinois