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From Playhouse to Printing House: Drama and Authorship in Early Modern England (Revised)

Contributor(s): Brooks, Douglas A (Author), Orgel, Stephen (Editor), Barton, Anne (Editor)

ISBN: 9780521034869

Publisher: Cambridge University Press

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Pub Date: December 14, 2006

Dewey: 822.309

Lexile Code: 0000

Features: Bibliography, Illustrated

Target Age Group: NA to NA

Physical Info: 0.71" H x 9.00" L x 6.00" W ( 1.02 lbs) 316 pages

Series: Cambridge Studies in Renaissance Literature and Culture

Descriptions, Reviews, etc.

Description: This original study examines how Shakespeare and his contemporaries made the difficult transition from writing plays for the theater to publishing them as literary works. Douglas Brooks analyzes how and why certain plays found their way into print while many others failed to do so and looks at the role played by the Renaissance book trade in shaping literary reputations. Incorporating many finely-observed typographical illustrations, this book focuses on plays by Shakespeare, Jonson, Webster, and Beaumont and Fletcher as well as reviewing the complicated publication history of Thomas Heywood's work.

Review Quotes: "Brooks...contribute[s] to our understanding both of authorship...and of the role of the printing house rather than copyright in creating the 'author.'" Renaissance Quarterly

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