Description: Looks at the Jonson canon from the point of view of the theatre practitioner. It bridges the theory/practice divide by debating how his drama operates in performance and includes discussion with and between practitioners.
Review Quotes:
'would suit advanced undergraduate or postgraduate students' - Gabriel Egan
'It will be useful to students and lecturers looking for ways into the works of Jonson, and particularly to those wishing to focus on questions of performance. And, very importantly, it gives a sense of the energy and outrageousness locked up in his texts.' - Lisa Hopkins, Early Modern Literary Studies