Description:
In a follow-up to his previous Homeric studies, noted classicist Paolo Vivante explores Homer's verse, highlighting rhythm rather than metre. Rhythmical qualities, he argues, constitute the force of the verse--for example, in the way the words take position and in the way each pause hints suspense, producing an immediate sense of time. Vivante's main concern is not with the techniques or rules of the verse-composition, but more philosophically with verse itself as a fundamental form of human expression. This study will be of interest to both students and scholars.
Brief description:
PAOLO VIVANTE is Professor Emeritus of Classics at McGill University. He is the author of The Homeric Imagination, The Epithets in Homer, Homer, and The Iliad: Action as Poetry.
Review Quotes: "In addition to chapters on rhythm and meter, order of words, enjambment, and time and verse, in which Vivante systematically examines with critical insight a large number of Homeric verses in order to explain his theory of rhythm, there is a chapter on Apollonius Rhodius, a conclusion, and a valuable bibliographical essay which summarizes the work of the leading scholars of Homeric verse and versification."-International Study in Philosophy