Book Cover

Seeing Ireland: Art, Culture, and Power in Modern Ireland

Contributor(s): O'Neill, Ciaran (Editor), Shortall, Billy (Editor), Cleary, Joe (Foreword by)

ISBN: 9780268210670

Publisher: University of Notre Dame Press

Hardcover
$45.00
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Pub Date: April 15, 2026

LCCN: 2025948061

Lexile Code: 0000

Target Age Group: NA to NA

Physical Info: 0.81" H x 9.00" L x 6.00" W ( 1.37 lbs) 250 pages

Descriptions, Reviews, etc.

Description:

Prompted by the centennial commemoration of the 1922 Paris Exposition d'Art Irlandais, Seeing Ireland explores the intersection of art and politics in the century that followed.

While the Irish Revival of the late nineteenth and the early twentieth century is often associated with literary figures such as Joyce and Yeats, Seeing Ireland's focus on visual arts sheds new light on a pivotal era of Irish cultural and national development. The collection explores the 1922 Paris diaspora congress and its associated art exhibition, the development of an Irish school of art, official visual representations of post-independence Ireland, and the continued intermingling of art and the state in subsequent decades. The Paris exhibition happened at a pivotal moment in Ireland's history, and the administration used Irish art to present for international consumption a self-defined identity of the new state. This collection reflects on that event and on the recent Decade of Centenaries commemoration of the Irish revolutionary period.

Academics and practicing artists alike contribute thought-provoking analyses of the exposition, Irish visual culture, and Irish diaspora politics. The collection ends with an exploration of the constantly negotiated relationship among the state, the arts, and memory.

Brief description:

Ciaran O'Neill is associate professor of nineteenth-century history at Trinity College Dublin. He is the co-director of the Trinity Colonial Legacies Project. His most recent books include Power and Powerlessness in Union Ireland and Ireland, Slavery and the Caribbean (co-edited with Finola O'Kane).

Review Quotes:

"This is the first Irish art history book to set out all the disparate discourses and conflicting claims about national identities aired by politicians, artists, writers, and cultural thinkers at the Irish Race Congress in Paris in 1922 and to examine how contemporary Ireland deals with those expectations in a very different context." --Catherine Marshall, co-editor of Art and Architecture of Ireland

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