Description:
Between 800 and 900 a new convention entered musical practice: by the end of the century the recording of musical sound using newly-invented music scripts had become standard, the meanings of those scripts familiar to many. In the history of European music this was a momentous transformation, offering new possibilities of organization and control. But the change was not accomplished quickly, nor were singers who read from books without musical notations entirely without written guidance. In Sounding the Word of God, those ways in which Carolingian scribes made instructions for readers and singers visible through script, and consequent changes in the material culture represented by books, are explored. From books of the late eighth and early ninth centuries in which chant was codified in a manner that relied heavily on unwritten knowledge, Rankin traces a path to books that attempted to record aspects of the delivery of ecclesiastical chant more thoroughly.
Brief description:
Susan Rankin is emeritus professor of medieval music at the University of Cambridge and Vice-Master of Emmanuel College, Cambridge. She is the author and co-editor of a number of books, including Writing Sounds in Carolingian Europe: The Invention of Musical Notation.
Review Quotes:
"Susan Rankin has for decades reflected on the relations between the visible signs on the page and musical sound. This book boldly steps in a new direction in several fields of study: palaeography, history of the book, history of liturgy, music history, art history, and the broad history of the eighth and ninth centuries." --Calvin M. Bower, translator of Fundamentals of Music