Description:
In this extended essay, Vittorio Hösle develops a theory of the comical and applies it to interpret both the recurrent personae played by Woody Allen the actor and the philosophical issues addressed by Woody Allen the director in his films.
Brief description:
Vittorio Hösle is Paul G. Kimball Chair of Arts and Letters in the Department of German Languages and Literatures and concurrent professor of philosophy and political science at the University of Notre Dame. He was the founding director of the Notre Dame Institute for Advanced Study. He is the author or editor of many books, including The Philosophical Dialogue: A Poetics and a Hermeneutics (2012) and Morals and Politics (2004), both published by the University of Notre Dame Press.
Review Quotes:
"Vittorio Hösle presents a compelling overview of Allen's work in which he discusses different theories of laughter and argues for the priority of the incongruity theory as the only one able to answer the normative question, what distinguises good from bad laughter? On this theoretical basis he goes on to delve into both the humor and the philosophical profundity of Allen's films." --Sander Lee, Keene State College