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Gender in Modernism: New Geographies, Complex Intersections

Contributor(s): Scott, Bonnie Kime (Editor), Scott, Bonnie Kime (Introduction by), Allan, Tuzyline Jita (Contribution by), Ardis, Ann (Contribution by), Berke, Nancy (Contribution by), Briggs, Julia (Contribution by), Caughie, Pamela L (Contribution by), Chapman, Mary (Contribution by), Clark, Suzanne (Contribution by), Collier, Patrick (Contribution by), Gillespie, Diane F (Contribution by), Green, Barbara (Contribution by), Hankins, Leslie Kathleen (Contribution by), Henke, Suzette A (Contribution by), Kelly, Katherine E (Contribution by), Lamos, Colleen (Contribution by), London, Bette (Contribution by), Lyon, Janet (Contribution by), Marek, Jayne E (Contribution by), Sarker, Sonita (Contribution by), Shloss, Carol (Contribution by), Squier, Susan (Contribution by), Tylee, Claire M (Contribution by), Wachman, Gay (Contribution by)

ISBN: 9780252074189

Publisher: University of Illinois Press

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Pub Date: March 1, 2007

Dewey: 820.99287

LCCN: 2006019431

Lexile Code: 0000

Features: Bibliography, Illustrated, Index, Table of Contents

Target Age Group: NA to NA

Physical Info: 1.87" H x 9.09" L x 6.31" W ( 2.69 lbs) 896 pages

BISAC Categories:

Literary Criticism | Feminist

Descriptions, Reviews, etc.

Description: Gender in Modernism, conceived as a sequel to the now-classic volume The Gender of Modernism, selects the best from the fifteen years of feminist literary and modernist scholarship that has appeared since the original's publication. Its fresh and diverse texts examine new themes and reflect today's broader, more inclusive understanding of modernism. The collection's modernist works have been grouped into twenty-one thematic sections, with theoretical introductions to the primary texts provided by the scholars who have taken the lead in pushing both modernism and gender in new directions. The selections enhance our understanding of the complex intersections of gender with a large array of social identifications, including global location, ideas of race, passing, the queering of sexualities, medicine, and experiences of trauma and war. It sees continental modernism in a different light, and moves on to colonial and postcolonial sites. less-studied genres of modernism, including writers on the left, suffragists, authors of manifestos, mediums, authors dismissed as sentimental, artists, dancers, dramatists, and filmmakers. Gender in Modernism will quickly move from resource to springboard, furthering modernist study well into the twenty-first century. Contributors include Tuzyline Jita Allan, Ann Ardis, Nancy Berke, Julia Briggs, Pamela L. Caughie, Mary Chapman, Suzanne Clark, Patrick Collier, Diane F. Gillespie, Barbara Green, Leslie Kathleen Hankins, Suzette A. Henke, Katherine Kelly, Colleen Lamos, Bette London, Janet Lyon, Jayne Marek, Sonita Sarker, Carol Shloss, Susan Squier, Claire Tylee, and Gay Wachman.

Review Quotes: "Gender in Modernism provides an invaluable research tool for those interested in how the gender and sexual politics of Anglo-American Modernism pervaded the various controversies and experimental projects for which it has become famous....Bonnie Kime Scott has done a masterful job in putting together a critical and archival taxonomy that gives intelligible proportions to a complex and wide-ranging field of inquiry." -- Joseph Valente

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