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Bengal in Global Concept History: Culturalism in the Age of Capital

Contributor(s): Sartori, Andrew (Author)

ISBN: 9780226734941

Publisher: University of Chicago Press

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Pub Date: September 1, 2008

Dewey: 954.14

LCCN: 2007041822

Lexile Code: 0000

Features: Bibliography, Index, Table of Contents

Target Age Group: NA to NA

Physical Info: 0.80" H x 8.90" L x 6.00" W ( 0.85 lbs) 288 pages

Series: Chicago Studies in Practices of Meaning

Descriptions, Reviews, etc.

Description: Today people all over the globe invoke the concept of culture to make sense of their world, their social interactions, and themselves. But how did the culture concept become so ubiquitous? In this ambitious study, Andrew Sartori closely examines the history of political and intellectual life in nineteenth- and twentieth-century Bengal to show how the concept can take on a life of its own in different contexts.
Sartori weaves the narrative of Bengal's embrace of culturalism into a worldwide history of the concept, from its origins in eighteenth-century Germany, through its adoption in England in the early 1800s, to its appearance in distinct local guises across the non-Western world. The impetus for the concept's dissemination was capitalism, Sartori argues, as its spread across the globe initiated the need to celebrate the local and the communal. Therefore, Sartori concludes, the use of the culture concept in non-Western sites was driven not by slavish imitation of colonizing powers, but by the same problems that repeatedly followed the advance of modern capitalism. This remarkable interdisciplinary study will be of significant interest to historians and anthropologists, as well as scholars of South Asia and colonialism.

Brief description: Andrew Sartori is assistant professor of history at New York University and coeditor of From the Colonial to the Postcolonial: India and Pakistan in Transition.

Review Quotes: "This is an extraordinarily ambitious work that provides an authoritative account of the history of colonial and postcolonial Bengali intellectual life and the nationalist movement. By apprehending this complicated history of ideas and politics through the prism of how the culture concept--a global idea--becomes a Bengali concept, Sartori makes a signal, unique contribution to anthropology, critical Marxist approaches, and especially to the crowded literature on postcoloniality and cultural theoretical understandings of globalization. That Sartori is fully successful in coherently weaving the complex threads of his concerns together is the book's most important accomplishment."--George Marcus, University of California, Irvine

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