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Privilege of Being Banal: Art, Secularism, and Catholicism in Paris

Contributor(s): Oliphant, Elayne (Author)

ISBN: 9780226731261

Publisher: University of Chicago Press

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Pub Date: April 6, 2021

Dewey: 282.44361

LCCN: 2020020734

Lexile Code: 0000

Features: Bibliography, Illustrated, Index

Target Age Group: NA to NA

Physical Info: 0.60" H x 9.00" L x 6.00" W ( 0.85 lbs) 280 pages

Series: Class 200: New Studies in Religion

Descriptions, Reviews, etc.

Description: France, officially, is a secular nation. Yet Catholicism is undeniably a monumental presence, defining the temporal and spatial rhythms of Paris. At the same time, it often fades into the background as nothing more than "heritage." In a creative inversion, Elayne Oliphant asks in The Privilege of Being Banal what, exactly, is hiding in plain sight? Could the banality of Catholicism actually be a kind of hidden power?

Exploring the violent histories and alternate trajectories effaced through this banal backgrounding of a crucial aspect of French history and culture, this richly textured ethnography lays bare the profound nostalgia that undergirds Catholicism's circulation in nonreligious sites such as museums, corporate spaces, and political debates. Oliphant's aim is to unravel the contradictions of religion and secularism and, in the process, show how aesthetics and politics come together in contemporary France to foster the kind of banality that Hannah Arendt warned against: the incapacity to take on another person's experience of the world. A creative meditation on the power of the taken-for-granted, The Privilege of Being Banal is a landmark study of religion, aesthetics, and public space.

Brief description:

Elayne Oliphant is assistant professor of anthropology and religious studies at New York University.

Review Quotes: "Subtle. Sophisticated. Engaging. In this book on French Catholicism, Oliphant offers a penetrating look at the intersections of art, religion, and secular modernity. In the best tradition of anthropology, she provides a kind of figure-ground reversal, revealing Paris--and the powers that be--in a new light."-- "Matthew Engelke, author of How to Think Like an Anthropologist"

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