Description: In this fascinating cultural history, Mary Chapman demonstrates the importance of the aesthetically innovative print culture produced by US suffragists in the two decades leading up to the passage of the 19th Amendment, seven decades after women's rights activists first met at Seneca Falls.
Review Quotes: "This...volume richly detailsthe maneuvers of the suffrage movement in order, as Chapman states, to examine 'modern suffragists' aesthetically innovative and rhetorically effective contributions to mass print culture, and to understandings of both literary and political "voice," in the early twentieth-century United States.'...[This book] will be invaluable to students of US literature, history, and newspaper journalism, and to scholars of US women's history, in addition to those pursuing related inter- and transdisciplinary studies." --American Literature
"...Chapman illuminates the aesthetics of suffrage politics, which contrary to theories of the great divide between high and low modernism, energized modernist experiments with voice. ... Chapman provides smart, endlessly fascinating readings of how suffrage stunts anticipate and vitally inform literary modernist experiments with voice. ... Chapman's closely argued chapters effectively dismantle the modernist great divide between politics and aesthetics, mass and high culture, to reveal how Progressive Era politics fueled the literary innovation of iconic modernists Moore and Gertrude Stein, each steeped in the issues of suffrage and voice that Chapman resuscitates with finesse." --Tulsa Studies in Women's Literature"From clever marketing campaigns and publicity stunts to more traditional journals and magazines to fiction and poetry, Chapman identifies a range of advocacy strategies used to promote women's suffrage in the mass print media of the early twentieth century. ...Chapman offers an entertaining look at how activists took advantage of various print forms of communication with irresistible humor and compelling common sense." --Legacy: A Journal of American Women Writers"This bold and beautifully written study recovers the rich history of American suffragists' literary and periodical press provocations, challenging modernist historiographies that have either actively erased or simply ignored the 'deep affinities' between suffragist and avant-garde experimentalism in the U.S. A must-read for anyone interested in the print media ecology of both modernism and modernity." --Ann Ardis, author of Modernism and Cultural Conflict: 1880-1922"Mary Chapman's exhilarating analysis shows how suffragist strategies for entering--and disrupting--the public sphere broke its conventions and made way for modernist literary and visual techniques. Making Noise, Making News sounds many new notes in its innovative approach to both modernism and suffrage." --Ellen Gruber Garvey, author of Writing with Scissors: American Scrapbooks from the Civil War to the Harlem Renaissance"In this well-written, innovative study of print culture, Mary Chapman traces how American suffragists and their sympathizers used the rhetoric of noise, silence, quotation, ventriloquism and conversation framed in modernist sensibilities to successfully attract attention to their cause in the early twentieth century." --Sylvia D. Hoffert, author of When Hens Crow: The Woman's Rights Movement in Antebellum America"Drawing on a wealth of recent and more established scholarship, Chapman's book will be read as a welcome addition to feminist literary history, suffrage history, sound and print culture studies, and modernist literary studies. It is a generous gift of a book." -- English Studies in Canada